Tag Archives: Collaboration

Hebrew Lessons at the Learning and Creativity Center in Susiya

Guest Post – Yael Arbel

“You must come to see Susiya.”

In all truth, I am fascinated by the stories I hear about Susya. I have not been there since the cold, muddy winter of 2002, when we trekked with Ta’ayush activists to bring blankets for those living there, only to be detained by the army. I don’t think I even got to see them at the end of that march. [editor comment: that particular march did reach its destination, see here]

“People in Susiya really want to study Hebrew. I think it’s a fitting task for you.”

Yes, I’ll come to look at it.

But only to look, I cautioned myself. I have no time to travel repeatedly from Tel Aviv to Susiya. I have children and a demanding, endless work, and the trip is so long . . . . Well, maybe I can come just once a month to consult them? So I came, and by visit’s end I was explaining that it’s impossible to learn a language with less than a weekly lesson, and so I promised to come again next week. In short, I fell in love with the community.

First, I got to know the renovated tent that became the “Learning and Creativity Center.” The day I visited, physicians and nurses from the Palestinian Health Organization were using the tent to receive patients. Next week, Inbal and I taught there a large, mixed group of boys and girls, young men and women, and adult men (but not adult women). At another corner, an artist taught some residents to crochet old plastic bags. Two months later, I saw the results of his teaching: artistic, colorful creations of embroidery, beautiful and practical.


As time went on, I got to know the Susiya children – those generous, loving hosts of my daughter, who ran with her all over the place, jumping over rocks and winding among the farm animals. To concentrate on my teacher’s role, I stopped bringing her, but the kids kept asking about her, when will she come again. We ate with the kids, danced, played, and attempted to speak Hebrew. They chased a family of geese.

Then I got to know the men, those who had learned Hebrew through work in Israel. Today, very few get to leave Susiya for work, and there are no opportunities to practice their Hebrew. The women know just a few words, and they are fearful of making mistakes. They speak to me in Arabic, hoping I will understand. Each visit I understand a little more.

Inbal and I take a practical approach to teaching Hebrew. Conversation, familiarity with the Alphabet, practical words and Hebrew/Arabic cognates. The boys were immediately drawn to Inbal, recognizing in her the Israeli incarnation of Pippi Longstockings. Meanwhile, I have been teaching a group of girls of various ages, who have shown extraordinary linguistic talents. And I teach the young children as well – writing and playing with letters and words.

I am used to teaching students who already know Hebrew, who are looking for change, for play, for breaking the routine. I am used to teaching kids who live in far greater comfort than Susiya’s kids can ever imagine. Jewish kids, who live in Tel Aviv and study at the Democratic School.

Susiya is entirely different. The students have no pencils. At times, they must leave to do something else more important. The girls may have to watch a young brother or prepare dinner. Other times, they all go out to look at the Settlers amassing on the hills overlooking Susiya. Their mothers don’t attend my lessons; at most they look on from the side. I am waiting for them to accept my invitation to join. But those who come are eager to learn. They want to write in a notebook, to have a dictation, to memorize; they want an authoritative teacher. I am far from authoritative. Our democratic teaching methods strike them as not serious. But they don’t want us to leave. “Just one more sentence,” begs Wuffa. While we pack our bags, Sara and Islam are still seating and reading the pages we left behind. Kusai understands almost everything we say. See, in spite of everything, Hebrew is being taught here!

Salem Music Center: 3-Year Plan

Dear friends and supporters,

The Salem Music Center is a venture developing gradually thanks to the ongoing cooperation between its local Palestinian initiators, from the village of Salem near Nablus, the Israeli volunteers of the Villages Group, and donors from Israel and abroad (especially from Australia and the U.S).

The first stage of this project, based on a proposal submitted last year, started on March 2010. The center’s founding team includes the project initiator Mr. Jubier Ihstayya (who serves also as a music teacher), the music instructor and teacher Mr. Amid Jamus and the project coordinator Mr. Fadi Ishtayya. The first class of 15 students is now about to complete its initial six months period of musical training. The result of this pioneering endeavor is an overwhelming success and sheer joy for the participants and partners alike (Erella’s story ‘The Sixth Lesson’, attached here as .pdf, captures the excitement we felt during this period).

In order to keep the momentum of this project going and to include in it many more children from the neighboring Villages of Salem and Deir al-Hattab, we hereby submit to you a new proposal for the Music Center. This proposal (pdf document linked) seeks to enable the center to continue running for the next 3 years (2011-2013) and establish itself as the core of creative development for the children of these two villages.

In the following months, even before the hopeful implementation of this 3 year plan, we wish to start a process of cooperation between the new music center in Salem and a well established high school of arts in Tel-Aviv. The school’s principal and the head of its music department have already visited the center in Salem and were deeply impressed by the progress of the pupils. We are now looking together for ways to form ongoing contacts between the school in Tel-Aviv and the developing center of Salem.

Reminder: The Villages Group is a small group of volunteers, which currently includes six Israelis and two Palestinians. Relying on 100% of volunteering work, our access to the big organizations and funds which demand much bureaucracy is very limited. It is our good fortune that we are backed, in many of our activities, by small organizations and individuals who grasp and understand the spirit of our group and its endeavors. The great potential of Salem music project is manifest and clear. This project was brought to life by the generosity of individuals and it needs your generosity in order to flourish and prosper. We are certain that it going to do so. For donations at any amount please contact us at ksehud@gmail.com.

We end with a video sample from a rehearsal of the music center’s first class (we apologize for the poor video quality)

Yours,

Ehud Krinis and Erella Dunayevski in the name of the Villages Group

(thanks to Carin Smaller for help in translation of the proposal)

Opening Ceremony for a Playground in Salem – 9.1.2010

The opening of the playground in Salem is a landmark in a journey that began seven years ago (January 2003), when a small group of Israelis (who in time adopted the name:  the ‘Villages Group’) began regular visits to the blockaded village of Salem near Nablus.
The opening of the playground in Salem is a landmark in an ongoing journey in the prevailing reality of the years 2001-2005 in the fields of the village of  Salem, where the Israeli military prevents inhabitants from working their fields and olive orchards; where settlers from Elon Moreh and the nearby outpost settlement (‘Scally’s farm’) do as they please in the area, burning, cutting down and destroying the olive orchards of the people of Salem.
This reality made founding member of the ‘Village Group’, Uri Pinkerfeld , initiate a widespread ongoing operation under the banner: ‘rehabilitation of Salem Olive Orchards’. This operation has gone on for over two years, with the cooperation and coordination of Salem council and inhabitants and with the help of many Israeli volunteers and organizations, among them the Kibbutz Movement and ‘New Israel Fund’. As a result of their efforts, a large part of the village’s agricultural land has been restored to its owners and many plots that were badly damaged by neighboring settlers have been rehabilitated.
The opening of the playground in Salem began with a ceremony held in London two and a half years ago; a ceremony at which the British branch of the ‘New Israel Fund’  awarded Uri Pinkerfeld a prize for his initiative in rehabilitating the olive orchards of Kfar Salem. Uri decided to use the prize money to build a playground for the children of the village on a site known as the ‘little spring’.
The opening of the playground in Salem is the direct result of construction work on the site of the ‘little spring’ undertaken these past two years by a devoted team from the village, led by Ahmed Shatiya (Abu Zaki) with the ongoing support of Uri and his Israeli friends – Moti, Buma, Michal and others.
The opening ceremony of the playground on 9.1.2010 was attended by the head of the Salem Village Council, members of the village council, many inhabitants and children, and about 20 Israelis.
At the ceremony, Uri spoke the following words:
“This place is known as ‘Hadikat El-Ein – the ‘garden of the spring’ and the spring is known as ‘El-Ein El-Zarira’ – the ‘little spring’ and today it becomes a great spring. The spring garden is not only a playground it is also a symbol; a symbol of joint initiative and work and a symbol of joint resistance to the occupation. A joint struggle of Jews and Arabs in Palestine and Israel. Israel and Palestine is a common homeland for returning Jews and local Arabs . The joint struggle is very important. It is a struggle against evil and violence. A non-violent struggle of the people. May the future bring us a life of peace and goodwill together.